Thursday, February 12, 2026

INDIA Chitti Babu – Columbia - 33ESX-6008 / 1967 (LP)

INDIA 
Chitti Babu – Columbia - 33ESX-6008, released in 
1967 (LP)
#India #Inde #Indian #Carnatic #music #South Indian #Chitti Babu #Emani Sankara Sastry #veena #Saraswati # Vainika #Bani #meend #Vellore Ramabhadran #traditional music #world music #raga #vinyl #vintage #MusicRepublic #Columbia
#India #Inde #Indian #Carnatic #music #South Indian #Chitti Babu #Emani Sankara Sastry #veena #Saraswati # Vainika #Bani #meend #Vellore Ramabhadran #traditional music #world music #raga #vinyl #vintage #MusicRepublic #Columbia
#India #Inde #Indian #Carnatic #music #South Indian #Chitti Babu #Emani Sankara Sastry #veena #Saraswati # Vainika #Bani #meend #Vellore Ramabhadran #traditional music #world music #raga #vinyl #vintage #MusicRepublic #Columbia
#India #Inde #Indian #Carnatic #music #South Indian #Chitti Babu #Emani Sankara Sastry #veena #Saraswati # Vainika #Bani #meend #Vellore Ramabhadran #traditional music #world music #raga #vinyl #vintage #MusicRepublic #Columbia

Following posts featuring the Carnatic veena master Emani Sankara Sastry (1922-1987), I present this remarkable 1967 album by Chitti Babu (1936-1996), Sastry's most famous disciple. Born in Kakinada, Andhra Pradesh, Babu was born into a music-loving family and was a child prodigy on the veena. As a boy, he studied under Shri Pandravada Upmakaya and Shri Eyyuni Appalacharyulu before becoming Sankara Sastry's disciple in 1948.

 

Babu's extraordinary skill, and his popularization of the veena for a wider audience, made him one of the most celebrated 20th-century Carnatic seven-string Saraswati veena players. Deeply rooted in Carnatic tradition, Babu’s Bani style mimicked human vocal inflections and emotions. He displayed dazzling virtuosity and showmanship through his precise and lightning-fast fingerwork and seamless meend glides, spanning several notes with a single pluck. His expressive and soulful playing produced resonant notes that shimmered with a bell-like quality.

A consummately versatile musician, Babu was fearless in his experimentation and developed his own modern approach to music. His diverse output encompassed traditional ragas, Vedic hymns, folk songs, light classical pieces, his signature cuckoo mimicry (B4), and Western-based compositions.


Here, Babu is accompanied by Vellore Ramabhadran (1929-2012) on the mridangam double-sided drum.

Après plusieurs post consacrés au maître de la veena carnatic Emani Sankara Sastry (1922-1987), j’ai le plaisir de vous présenter cet album remarquable enregistré en 1967 par Chitti Babu (1936-1996), le disciple le plus célèbre de ce dernier. Né à Kakinada, dans l'Andhra Pradesh, Chitti Babu est issu d'une famille mélomane et était un enfant prodige de la veena. Il étudie dans son enfance sous la tutelle de Shri Pandravada Upmakaya et de Shri Eyyuni Appalacharyulu, puis devient le disciple d’Emani Sankara Sastry en 1948.
 
Son talent extraordinaire et sa popularisation de la veena auprès d'un public plus large en ont fait l'un des plus grands joueurs de veena Saraswati à sept cordes du XXè siècle. Profondément ancré dans la tradition Carnatic, il imitait les inflexions vocales et les émotions humaines dans son style Bani. Il faisait preuve d'une virtuosité et d'un sens du spectacle éblouissants grâce à son jeu précis et ultra-rapide, ainsi qu'à ses glissés meend fluides qui couvraient plusieurs notes d'un seul coup de plectre. Son jeu expressif et empreint d’émotion produisait des notes résonnantes qui scintillaient comme des cloches.
 
Musicien extrêmement polyvalent, Babu n'hésitait pas à expérimenter et a développé sa propre approche moderne de la musique. Sa production variée comprenait des ragas traditionnels, des hymnes védiques, sa célèbre imitation du coucou (B4), des chansons folkloriques, des pièces classiques légères, et des compositions occidentales.
 
Babu est accompagné ici par Vellore Ramabhadran (1929-2012) au mridangam.

A1 – Sri Ganapathini - Saurashtra

A2 – Manavyalakincha – Nalinakanti

A3 – Swara Raga Sudha - Sankarabharanam

B1 – Kowmari Gouri - Velavali

B2 – Ninnuvina - Navarasakannada

B3 – Nirupamana - Behag (Javali)

B4 – Kommalo Koila - Misra (Cuckoo Song)

B5 – Aadevu Paadevu - Sindhubhairavi

Download


My other Carnatic instrumental posts:

Emani Sankara Sastri – HMV 7 EPE 1603 here
Emani Shankara Sastry – L'Art du Vina – CBS 80213 here

Lalgudi Jayaraman / N. Ramani / R. Venkataraman – ECSD 2494 here

Lalgudi Jayaraman – HMV 7 EPE 1614 here

Lalgudi Jayaraman – Violin Solos of Carnatic Music – ECSD 2435 here

Lalgudi Jayaraman – Melodiya C80-27225-004 here
Dwaram Venkataswamy Naidu – HMV EALP 1375 here

T. N. Krishnan – SEDE 3609 Columbia here
T.N. Krishnan & Kumari Viji Krishnan  Inreco 2401 here
N. Ramani – Flute – HMV – EASD 1390 here
Inde du Sud – Les Grands Classiques – Ducretet Thomson 2C 066-14324 / UNESCO here
The Great Tradition – Masters of Music EALP Part 2 Carnatic here



The photograph below is from World Geography and Customs Series (Vol.3), Published by Shinkosha, Japan, 1931 here

Ascetic (also known as a sadhu or yogi) on the banks of the Ganges:


MusicRepublic –INDIA  Chitti Babu – Columbia - 33ESX-6008

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Monday, February 2, 2026

TANZANIA Magical Sounds from Lake Manyara – Heartbeat of Africa – Sapra Ltd CMIL 101

TANZANIA
Magical Sounds from Lake Manyara – Heartbeat of Africa – Sapra Ltd CMIL 101, recorded by David Fanshawe (7 in, 33 RPM)
#Tanzania #Tanzanie #Lake Manyara #Manyara National Park #Manyara region #David Fanshawe #Sapra #Iraqw #Maasai #Mbugwe #Datoga #zither #irikano lyre #litungu lyre #ekegogo violin #nyatiti harp #traditional music #world music #ritual #East Africa #African music #vinyl #7 inch #MusicRepublic
#Tanzania #Tanzanie #Lake Manyara #Manyara National Park #Manyara region #David Fanshawe #Sapra #Iraqw #Maasai #Mbugwe #Datoga #zither #irikano lyre #litungu lyre #ekegogo violin #nyatiti harp #traditional music #world music #ritual #East Africa #African music #vinyl #7 inch #MusicRepublic
#Tanzania #Tanzanie #Lake Manyara #Manyara National Park #Manyara region #David Fanshawe #Sapra #Iraqw #Maasai #Mbugwe #Datoga #zither #irikano lyre #litungu lyre #ekegogo violin #nyatiti harp #traditional music #world music #ritual #East Africa #African music #vinyl #7 inch #MusicRepublic
#Tanzania #Tanzanie #Lake Manyara #Manyara National Park #Manyara region #David Fanshawe #Sapra #Iraqw #Maasai #Mbugwe #Datoga #zither #irikano lyre #litungu lyre #ekegogo violin #nyatiti harp #traditional music #world music #ritual #East Africa #African music #vinyl #7 inch #MusicRepublic

Here's another rare, mellifluous Sapra album recorded around Lake Manyara, a 180-square-mile (470-square-kilometer) lake in northern Tanzania, by David Fanshawe (1942–2010) in the early 1970s.

The lake is the centerpiece of the Manyara National Park. The Manyara region is home to various ethnic/cultural groups, including the Iraqw, Maasai, Mbugwe, and Datoga peoples.

This album, featuring the fluid and sensuous African magic of old, includes voices, zithers (A1), a large irikano lyre (A2, A3), a litungu lyre (A4), a flute (A3), an ekegogo violin (B1), a nyatiti harp (B4), and horns (B3), accompanied by drums, percussion and rattles. 

Voici un autre album rare et mélodieux du catalogue Sapra, enregistré au début des années 1970 par David Fanshawe (1942-2010) autour du lac Manyara, un lac de 470 kilomètres carrés situé au nord de la Tanzanie.

 

Le lac est la pièce maîtresse du Parc national de Manyara. La région de Manyara abrite également divers groupes ethniques/culturels, notamment les Iraqw, les Masaï, les Mbugwe et les Datoga.

Empreint de la magie africaine fluide et sensuelle d'antan, cet album nous fait entendre des voix, des cithares (A1), une grande lyre irikano (A2, A3), une lyre litungu (A4), une flûte (A3), un violon ekegogo (B1), une harpe nyatiti (B4) et des cors (B3), accompagnés de tambours, de percussions et de hochets.


A1 – Music from the Southern Shores 
“Reflecting the full glory and color of Lake Manyara, an orchestra of traditional zithers sounds on the southern shores.”

 

A2 – Irikano lyre and voice 
“This strange boat-shaped instrument is very rare, and the effect is pure, musical delight.”

 

A3 – Flute and irikano lyre
“The irikano player was suddenly joined by a friend who played a simple flute, made from a tree branch.”

 

A4 – Litungu lyre and voices in the rains 
“A singer celled Nyamaronge had been playing his instrument at a beer party when rain suddenly came. Amidst darkening clouds over Lake Manyara and the patter of rain drops, the musician went on to praise his friends.”

 

B1 – Ekegogo violin and voice
“Played here by a wandering minstrel at the beer party and reminiscent of an Irish traditional melody, here is a song about Independence — a very rare and fine example.”

 

B2 – Virama Dance with voices, drums, percussion and rattles
“A triumphant dance of the Pare people to the east of Lake Manyara, as they celebrate the coming-of-age of a daughter.”

 

B3 – Wameru circumcision with voices, horns, drums, percussion and rattles
“A song, recorded during a boy's circumcision, in which relatives praise the bravery and wisdom of the youngster.”

 

B4 – Nyatiti harp solo
“Played by a popular young traveling performer named Apuot Ochiereg, in the traditions of his fathers, this brilliant recording keeps alive an art and skill which otherwise might be lost.”


Download:


My other East African music posts:

Fabulous Gogo Music from Tanzania – Heartbeat of Africa – Sapra Ltd CMIL 98 here
Musical Gems from Lake Victoria – Heartbeat of Africa – Sapra Ltd - CMIL 102 here

Sounds of Masailand – Heartbeat of Africa – Sapra Ltd CMIL 87 here
British East Africa – Columbia Masterworks Volume X – SL 213 here


David Fanshawe (1942-2010) was an English composer whose most famous work was the album African Sanctus (1972), which combines Western choral harmony with his recordings of traditional African music. Fanshawe passionately explored the great diversity of our dying global traditional musical heritage and painstakingly recorded thousands of hours of indigenous music in Europe, Egypt, Sudan, Uganda, Kenya, Tanzania, Afghanistan, Iraq, Bahrain, and the Pacific islands.

Postcards of the Maasai people of Tanzania:


MusicRepublic – TANZANIA – Magical Sounds from Lake Manyara  – Heartbeat of Africa – Sapra Ltd CMIL 101



MusicRepublic – TANZANIA – Magical Sounds from Lake Manyara  – Heartbeat of Africa – Sapra Ltd CMIL 101

Please help me purchase important traditional records to 

pursue my global curation project and share the 

best finds with you on this blog here below: