Saturday, August 8, 2020

NIGERIA Sikiru Ayinde Barrister – Vol. 6 – Africa Song - AS 33-L

NIGERIA – NIGÉRIA
Sikiru Ayinde Barrister & His Fuji Group – Vol. 6 – Africa Song - AS 33-L, 1975 (Cassette)
#Nigeria #Yoruba #Lagos #Fuji music #Sikiru Ayinde Barrister #Yorouba #Iyalu talking drum #shekere #akuba drums #agidigbo thumb piano #traditional music #world music #African music #musique africaine #cassette #MusicRepublic #musique traditionnelle
#Nigeria #Yoruba #Lagos #Fuji music #Sikiru Ayinde Barrister #Yorouba #Iyalu talking drum #shekere #akuba drums #agidigbo thumb piano #traditional music #world music #African music #musique africaine #cassette #MusicRepublic #musique traditionnelle
#Nigeria #Yoruba #Lagos #Fuji music #Sikiru Ayinde Barrister #Yorouba #Iyalu talking drum #shekere #akuba drums #agidigbo thumb piano #traditional music #world music #African music #musique africaine #cassette #MusicRepublic #musique traditionnelle

When I visited Lagos on several occasions in the early 1990s, Alhaji Sikiru Ayinde Barrister's (1948-2010) Yoruba "Fuji" music, both modern and steeped in tradition, was all the rage (the name was inspired by Japan’s Mount Fuji, the mountain of love and peace!). Barrister's Yoruba Islamic "Were" style of music evolved over time and became increasingly secular, with Barrister later incorporating Juju-style guitars and electronic instruments for a modern touch. But the core of his music always remained his 15- to 25-member band of superb percussionists playing traditional Yoruba instruments accompanied by the singer's beautiful voice.

Barrister was a highly sought after MC, conveying great prestige to lavish marriage celebrations which drew distinguished guests along with crowds of the uninvited hoping to hear the music or even catch a glimpse of the "Balaa of Lagos." Barrister's singing accompanied by frenetic drumming created a feeling of excitement and was absolutely the ultimate for dancing. I had the great privilege of seeing him perform twice in the 1990s. Most regrettably, he is largely unknown outside the Yoruba community.

We now share a second excellent traditional-sounding early Barrister album from 1975 featuring his commanding voice, gorgeous backing vocals and wonderful multilayered percussion.

Lors de mes voyages à Lagos au début des années 1990, la musique « Fuji » (dont le nom vient du Mont Fuji au Japon, la montagne de l'amour et de la paix !) inventée par Sikiru Ayinde Barrister (1948-2010) faisait fureur. Les Lagosiens Yoruba adoraient ce musicien à la fois moderne et ancré dans la tradition. Le style musical de Barrister s'est progressivement modernisé au fil du temps, incorporant même des jeux de guitares de style Juju et des instruments électroniques. Mais le coeur de sa musique est toujours resté son groupe de 15 à 20 percussionnistes jouant des instruments traditionnels yoruba et sa voix impériale.

Barrister était un MC très recherché, qui conférait un grand prestige aux célébrations de mariage somptueuses. Sa présence attirait de nombreux invités de marque, sans compter la foule de badauds à l’extérieur venue pour écouter la musique et peut être même apercevoir le « Balaa of Lagos ». La voix majestueuse de Barrister accompagnée de percussions frénétiques créaient une grande excitation et étaient le summum pour danser. J'ai eu le grand privilège de le voir deux fois en concert dans les années 1990. Barrister est malheureusement resté quasi inconnu en dehors de la communauté Yoruba.

Nous partageons maintenant un deuxième album de 1975 avec une texture sonore traditionnelle comprenant la voix magnifique du maître, des chœurs sublimes et des percussions polyrythmiques inspirées.


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Many thanks to Nuno for his help with the visuals.


Our other Yoruba Fuji music shares:

Sikiru Ayinde Barrister - Fuji Exponent Vol. 8 - AS 46-L, 1976 here

Dr. Wasiu Ayinde Barrister – Jo Fun Mi (Dance for Me) – OLPS 1361, 1990 here


Photograph below is from Yoruba (Visions of Africa) by Babatunde Lawal, 5 Continents, 2012:


Priest wearing a sculpted representation of the female divinity from the Lájomi River during the Òsun annual festival, Òsogbo, Osun State, Nigeria, 1972:

MusicRepublic NIGERIA – NIGÉRIA Sikiru Ayinde Barrister & His Fuji Group – Vol. 6 – Africa Song - AS 33-L
Please help me purchase important traditional records to pursue my global 
curation project and share the best finds with you on this blog:

Saturday, August 1, 2020

INDIA Vijay Raghav Rao – Flute – HMV – ECLP 2357

INDIA – INDE
Vijay Raghav Rao – Flute – His Master's Voice – ECLP 2357, recorded 1968 (LP)
#Vijay Raghav Rao #Hindustani #bamboo #Flute #Bansuri #raga #tabla #tanpura #Indian Music #traditional music #musique indienne #world music #Pannalal Gosh #musique traditionnelle #vinyl #MusicRepublic #meditative #atmospheric
#Vijay Raghav Rao #Hindustani #bamboo #Flute #Bansuri #raga #tabla #tanpura #Indian Music #traditional music #musique indienne #world music #Pannalal Gosh #musique traditionnelle #vinyl #MusicRepublic #meditative #atmospheric

#Vijay Raghav Rao #Hindustani #bamboo #Flute #Bansuri #raga #tabla #tanpura #Indian Music #traditional music #musique indienne #world music #Pannalal Gosh #musique traditionnelle #vinyl #MusicRepublic #meditative #atmospheric
#Vijay Raghav Rao #Hindustani #bamboo #Flute #Bansuri #raga #tabla #tanpura #Indian Music #traditional music #musique indienne #world music #Pannalal Gosh #musique traditionnelle #vinyl #MusicRepublic #meditative #atmospheric


Vijay Raghav Rao (1925-2011) was one of the most distinguished North Indian Bansuri flute players to emerge in the footsteps of the great Pannalal Gosh (1911-1960), who transformed the Bansuri, an instrument played mostly in folk and light classical music, into a deeper-toned concert solo instrument by significantly extending the instrument's length to over 30 inches (75 cm) and devising innovative playing techniques.

Born in Chennai (Madras) in the State of Tamil Nadu, Rao initially studied Bharatanatyam South Indian dance, and ultimately took up the bass bamboo transverse flute after meeting his guru Pandit Ravi Shankar (1920-2012) in the 1940s. He toured widely, wrote many ragas and had a successful career at All India Radio as a soloist and film music composer. He was also a dedicated teacher who trained the likes of G. S. Sachdev (1935-2018) and Ronu Majumbar (b. 1963). 

This 1968 release showcases the maestro’s delicate, reflective and fluid lyricism complemented by D. K. Thakar on the second Bansuri flute, Manikrao Popatkar’s understated tabla and the tonal drone of the tanpura

Vijay Raghav Rao (1925-2011) fut l'un des flûtistes Bansuri les plus distingués de l'Inde du Nord à suivre les traces du grand Pannalal Gosh (1911-1960) qui transforma le Bansuri, jusque-là limité aux musiques folkloriques et classiques légères, en un instrument solo de concert aux tonalités plus profondes. Il étendit considérablement la longueur de l'instrument à plus de 75 cm et créa des techniques de jeu novatrices.

Né à Chennai (Madras) dans l'État du Tamil Nadu, Rao commença par étudier la danse classique Bharatanatyam, et se consacre finalement à la flûte traversière Bansuri en bambou après avoir rencontré son maître Pandit Ravi Shankar (1920-2012) dans les années 1940. Il effectua de nombreuses tournées, écrit de nombreux ragas et mena une brillante carrière à All India Radio en tant que soliste et compositeur de musique de film. Il fut également un maître dévoué qui forma notamment G. S. Sachdev (1935-2018) et Ronu Majumbar (né en 1963).

Ce disque de 1968 présente le lyrisme fluide, délicat et méditatif du maestro, accompagné de D. K. Thakar à la deuxième flûte Bansuri, Manikrao Popatkar aux tablas et le bourdon du tanpura.


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Photograph below is from Treasures of Asia - Paintings of India, by Douglas Barrett and Basil Gray, Skira, 1963.

Lord Krishna playing the Bansuri flute – believed to have had magical powers over all living beings – to tame the serpent Kaliya (Bundi School c. 1640):

MusicRepublic INDIA – INDE Vijay Raghav Rao – Flute – His Master's Voice – ECLP 2357

Please help me purchase important traditional records to pursue my global 
curation project and share the best finds with you on this blog: