Friday, August 30, 2019

AUSTRALIA Australie – Vogue EXTP 1056

AUSTRALIA
Australie – Vogue EXTP 1056, recorded in Central Australia by Jacques Villeminot, 1950s (7 in, 45 RPM)
#Australia #Aborigenes #Central Australian desert #dreamtime #corroboree #ceremony #ritual #magic #ancestors #traditional music #world music #vinyl

#Australia #Aborigenes #Central Australian desert #dreamtime #corroboree #ceremony #ritual #magic #ancestors #traditional music #world music #vinyl

#Australia #Aborigenes #Central Australian desert #dreamtime #corroboree #ceremony #ritual #magic #ancestors #traditional music #world music #vinyl

#Australia #Aborigenes #Central Australian desert #dreamtime #corroboree #ceremony #ritual #magic #ancestors #traditional music #world music #vinyl

This record presents the music of the Pitjantjatjara People from the Central Australian desert. During their corroboree ceremonies participants enter a mythical and metaphysical ‘dreamtime’ to transcend past and present through body-painting, music and dance. According to ethnologist Jacques Villeminot, these nomadic hunter-gatherers did not have instruments other than rhythmically striking rocks and sticks.

The music here includes secret chants sung by men in the final stage of their initiation (A1), incantations before a depiction of spirals, the totem of the honey ant (A2), a women’s corroboree (A3), secret initiation songs (A4), a Kangaroo Corroboree (B1), a Kangaroo ritual chant (B2), a camp song (B3) and a Death Corroboree with 100 male and female participants (B4).

Ce disque présente la musique du peuple aborigène Pitjantjatjara vivant dans le désert d’Australie centrale. Au cours de leurs cérémonies corroborées, les participants entrent dans le « temps du rêve » mythique et métaphysique pour transcender le passé et le présent à travers des costume, des peintures du corps, la musique et la danse. Selon l'ethnologue Jacques Villeminot, ces chasseurs-cueilleurs nomades n’avaient, en guise d’instruments, que des bâtons ou des pierres qu’ils entrechoquaient rythmiquement.

La musique ici comprend des chants secrets chantés par des hommes au stade final de leur initiation (A1), des incantations devant un dessin représentant des spirales qui symbolisent le totem de la fourmi à miel (A2), une corroborée de femmes (A3), des chants secrets d'initiation (A4), une corroborée du kangourou (B1), le chant rituel du kangourou (B2), une chanson de camp (B3) et la corroborée de la mort avec cent exécutants des deux sexes (B4).


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Ethnologist, speaker and filmmaker Jacques Villeminot (b. 1924) is a pioneer in ethnographic film known for his films on native peoples in Australia and Papua New Guinea.

Photographs below are from The Earth Spirit - Its Ways, Shrines and Mysteries by John Michell, Crossroad, 1975, and The World of the First Australians by Catherine and Roland Berndt, University of Chicago Press, 1964:

Corroboree Rock, Central Australia.
"The power of the spirit that pervades the great rocks is drawn out to the benefit of all living things by the ceremonies of the native Australians. By their intimate knowledge of the local spirit world (and consequently of its product, physical nature) they are able to live without material encumbrance in country that otherwise would be desert."


MusicRepublic AUSTRALIA  Australie – Vogue EXTP 1056


"A man beats his stick rhythmically as he sings to the drone of the didjeridoo. Goulburn Island, Western Arnhem Land, 1961."


MusicRepublic AUSTRALIA  Australie – Vogue EXTP 1056


"Man on Djebalmandji forked stick calling sacred invocations, Milingimbi, late 1930s."


MusicRepublic AUSTRALIA  Australie – Vogue EXTP 1056


"Djunggawon novices painted to represent the mythical Wawalag sisters and wearing sacred armbands, Yirrkalla, 1947."



MusicRepublic AUSTRALIA  Australie – Vogue EXTP 1056

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10 comments:

  1. Thanks for this nice music. Please put more music from Africa.

    ReplyDelete
    Replies
    1. I try to feature all types of traditional/folk musics from the four corners of the world. Next month I will share two great African records, including one from a country I have not yet featured.

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  2. Thank you for your answer.
    If I can suggest something about african music. I would like to send such recomendadion. It would be great and rare album. It has never posted nowhere before on the Internet.


    https://www.discogs.com/Various-Ethiopia-II-Cushites/release/3867848

    ReplyDelete
    Replies
    1. Thank you for your interest and recommendation. I actually have that album and planned to post it one day. The Bärenreiter Musicaphon LP series is truly amazing (like the one I recently posted on Igbo music). But this month I will share two locally-produced African albums.

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  3. Thanks for the records but Jacques Villeminot is just another white man who recorded the Indigenous Australians for his own reasons. He did nothing to advocate for them, he could have advocated for at least the Anangu people. Also, if the translations are correct and these are secret chants of initiation, this recording is insensitive and gives access to sacred knowledge only passed down to initiated men (I doubt the Anangu people gave him access to produce this recording).

    ReplyDelete
    Replies
    1. The more I'm humble to be part of these 'transcendentions' and to be able to listen to it. And be taken by it . .

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    2. Picture of the rock reminded me of film that some of you might be familiar with. Picnic at Hanging Rock from 1975.


      "Most fascinating thing here is possibly the way the Rock is depicted - it appears as self-conscious entity, alive in a sense which is beyond Western logic."

      ". .ancient beauty of wild Australia. ."

      Delete