Australie – Vogue EXTP 1056, recorded in Central Australia by Jacques Villeminot, 1950s (7 in, 45 RPM)
This record presents the music of the Pitjantjatjara People
from the Central Australian desert. During their corroboree ceremonies participants enter a mythical and metaphysical
‘dreamtime’ to transcend past and present through body-painting, music and
dance. According to ethnologist Jacques Villeminot, these nomadic
hunter-gatherers did not have instruments other than rhythmically striking rocks
and sticks.
Ce disque présente la musique du peuple aborigène Pitjantjatjara vivant dans le désert d’Australie centrale. Au cours de leurs cérémonies corroborées, les participants entrent dans le « temps du rêve » mythique et métaphysique pour transcender le passé et le présent à travers des costume, des peintures du corps, la musique et la danse. Selon l'ethnologue Jacques Villeminot, ces chasseurs-cueilleurs nomades n’avaient, en guise d’instruments, que des bâtons ou des pierres qu’ils entrechoquaient rythmiquement.
Ethnologist, speaker and filmmaker Jacques Villeminot (b. 1924)
is a pioneer in ethnographic film known for his films on native peoples in
Australia and Papua New Guinea.
Photographs below are from The Earth Spirit - Its Ways, Shrines and Mysteries by John Michell, Crossroad, 1975, and The World of the First Australians by Catherine and Roland Berndt, University of Chicago Press, 1964:
Corroboree Rock, Central Australia.
"A man beats his stick rhythmically as he sings to the drone of the didjeridoo. Goulburn Island, Western Arnhem Land, 1961."
"Man on Djebalmandji forked stick calling sacred invocations, Milingimbi, late 1930s."
"Djunggawon novices painted to represent the mythical Wawalag sisters and wearing sacred armbands, Yirrkalla, 1947."
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