Friday, August 23, 2024

INDIA – INDE Dagar Brothers – Nasir Moinuddin Dagar & Nasir Aminuddin Dagar – Les Artistes Arabes Associés - EALP 1291

INDIA – INDE

Dagar Brothers – Nasir Moinuddin Dagar & Nasir Aminuddin Dagar – Les Artistes Arabes Associés - EALP 1291, released in 1965 (LP)

#Dhrupad #India #Inde #Dagarvani #Hindustani #Nasir Aminuddin Dagar #Nasir Moinuddin Dagar #Nasir Zahiruddin Dagar #Nasir Faiyazuddin Dagar #vocal #Jugalbandi #meditation #drone #tanbura # pakhawaj # jugalbandi #Indian music #vinyl #meditative #traditional music #world music #devotional #Indian music #Senior Dagar Brothers #Younger #vintage #vinyl #MusicRepublic
#Dhrupad #India #Inde #Dagarvani #Hindustani #Nasir Aminuddin Dagar #Nasir Moinuddin Dagar #Nasir Zahiruddin Dagar #Nasir Faiyazuddin Dagar #vocal #Jugalbandi #meditation #drone #tanbura # pakhawaj # jugalbandi #Indian music #vinyl #meditative #traditional music #world music #devotional #Indian music #Senior Dagar Brothers #Younger #vintage #vinyl #MusicRepublic
#Dhrupad #India #Inde #Dagarvani #Hindustani #Nasir Aminuddin Dagar #Nasir Moinuddin Dagar #Nasir Zahiruddin Dagar #Nasir Faiyazuddin Dagar #vocal #Jugalbandi #meditation #drone #tanbura # pakhawaj # jugalbandi #Indian music #vinyl #meditative #traditional music #world music #devotional #Indian music #Senior Dagar Brothers #Younger #vintage #vinyl #MusicRepublic
#Dhrupad #India #Inde #Dagarvani #Hindustani #Nasir Aminuddin Dagar #Nasir Moinuddin Dagar #Nasir Zahiruddin Dagar #Nasir Faiyazuddin Dagar #vocal #Jugalbandi #meditation #drone #tanbura # pakhawaj # jugalbandi #Indian music #vinyl #meditative #traditional music #world music #devotional #Indian music #Senior Dagar Brothers #Younger #vintage #vinyl #MusicRepublic

300 Posts!

 

For my 300th post since the blog’s inception, in November 2017, I wanted to share the first LP of Hindustani Dhrupad singing I purchased in the late 1980s. Discovering this extraordinary music, believed to date back to the 12th century and rooted in the Carnatic tradition, performed here by the Senior Dagar Brothers, was a true revelation. Exquisite meditative music of the highest order reflecting values so far removed from our contemporary zeitgeist. I have recorded several pressings of this LP and this reissue on the great Franco-Algerian label Les Artistes Arabes Associés sounds the best.


* * *

 

The Senior Dagar Brothers, Nasir Moinuddin Dagar (1921-1966) and Nasir Aminuddin Dagar (1923-2000), were two great classical Dagarvani Dhrupad vocalists from the highly prestigious Dagar family, whose unbroken musical lineage goes back 19 generations.

 

First trained by their father Nasiruddin Khan (1890-1936) until his premature death in 1936, they continued their musical education under Riyazuddin Khan (1885-1947) and Ziauddin Khan Dagar (1886-1946), and formed a formidable jugalbandi duo, whose fame in the 1950s and 60s helped revive the Dhrupad tradition. They also trained their younger brothers, Nasir Zahiruddin (1933–1994) and Nasir Faiyazuddin (1934–1989), who performed as the Younger Dagar Brothers.

 

The elder brothers’ deep, serene and telepathic singing carried by the tanpura’s drone, and S. V. Patwardhan’s delicate mridangam (or pakhawaj) double-sided drum on this LP, weave timeless, sensuous sonorities connected with the chanting of ancient Vedic hymns and mantras. This is essential spiritual and devotional Indian music of timeless, universal beauty.

 

After Moinuddin’s untimely death in 1966 at the age of 46, Aminuddin founded a Dhrupad school and pursued a brilliant solo career.

 

Les Senior Dagar Brothers, les frères Nasir Moinuddin Dagar (1921-1966) et Nasir Aminuddin Dagar (1923-2000), étaient deux grands chanteurs classiques du Dhrupad Dagarvani de la prestigieuse famille Dagar, dont la lignée musicale ininterrompue remontait à 19 générations.

 

D'abord formés par leur père Nasiruddin Khan (1890-1936) jusqu'à sa mort prématurée en 1936, les deux frères aînés poursuivirent leur éducation musicale sous la tutelle de Riyazuddin Khan (1885-1947) et de Ziauddin Khan Dagar (1886-1946), et formèrent un duo jugalbandi, dont la renommée dans les années 50 et 60 contribua à faire revivre la tradition Dhrupad.

 

Ils ont également formé leurs jeunes frères, Nasir Zahiruddin (1933-1994) et Nasir Faiyazuddin (1934-1989), qui chanteront également en duo connu sous le nom de Younger Dagar Brothers.

 

Sur cet album, le chant profond, serein et télépathique des deux frères aînés, porté par le bourdon du tanpura et le délicat tambour double face pakhawaj (ou mridangam) de S. V. Patwardhan, tisse des sonorités intemporelles et sensuelles liées au chant d'anciens hymnes et mantras védiques. Une musique indienne spirituelle et dévotionnelle essentielle, d'une beauté intemporelle et universelle.

 

Après la mort prématurée de Moinuddin en 1966 à l'âge de 46 ans, Aminuddin fonda une école de dhrupad et poursuivit une brillante carrière solo.


Download:

Ustad Nasiruddin Khan (1890-1936), 

the Dagar Brothers' 

father and teacher:


MusicRepublic INDIA – INDE Dagar Brothers – Nasir Moinuddin Dagar & Nasir Aminuddin Dagar – Les Artistes Arabes Associés - EALP 1291

Our other Dhrupad music posts:

Nasir Aminuddin Dagar – HMV EASD 1420 here 
Younger Dagar Brothers – Nassir Zahiruddin Dagar & Nassir Faiyazuddin Dagar – EALP 1334 here
Zia Mohiuddin Dagar – HMV - 7 EPE 1312 here

Zia Mohiuddin Dagar – Morgonraga – here
Chandrashekhar Naringrekar – HMV - 7 EPE 1590 here


Photograph below is from Yoga – The Art of Transformation edited by Debra Diamond, Freer / Sackler, Smithsonian, 2013:

The Seven Great Sages (Saptarishi) “were popularly believed 
to have attained their semi-divine status through 
exceptional devotion and extraordinary ascetic feats,” 
Jammu and Kashmir, Mankot, c. 1675-1700:

MusicRepublic INDIA – INDE Dagar Brothers – Nasir Moinuddin Dagar & Nasir Aminuddin Dagar – Les Artistes Arabes Associés - EALP 1291

Please help me purchase important traditional records 

to pursue my global curation project and share the 

best finds with you on this blog:







Tuesday, August 13, 2024

KURDISH – KURDE Kurdish Music – A Musical Anthology of the Orient – Bärenteiter-Musicaphon – BM 30 SL 2028

KURDISH – KURDE  

Kurdish Music – A Musical Anthology of the Orient – Bärenteiter-Musicaphon – BM 30 SL 2028, recorded by M. Kendal in Armenia (LP)

#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic
#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic
#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic
#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic
#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic

An estimated 40 million ethnic Kurds currently live in Türkiye (Turkey), Syria, Iraq, Iran and Armenia. Historically, Kurdish minorities have often had to fight for their culture, especially during recent periods in Iraq and Türkiye when Kurdish language, culture and music were banned.

 

Kendal Nezan (b. 1949) presents this record as a panorama of the diversity of Kurdish music from Türkiye, Syria, Iraq and Armenia (the music of Iranian Kurds was not included here). However, there is no precise indication of where these recordings were made.

 

This essential anthology presents the rich Kurdish musical tradition with its own distinctive character, featuring vocals, the blur shepherd’s flute (A3, B3), the double-reed duduk (A1, A2, A4, A6, A7, B1, B2, B5, B8), the double-reed zirne (zurna) oboe (B7) and the Kurdish short-necked tenbur lute (A5, A8, B5, B6). These poetic songs, which sometimes accompany regional dances, touch on a variety of themes including love, melancholy, the pain of separation, exile, folktales and legends.

 

On estime à 40 millions le nombre de Kurdes vivant actuellement en Turquie, en Syrie, en Irak, en Iran et en Arménie. Historiquement, les minorités kurdes ont souvent dû se battre pour défendre leur culture, notamment à certaines périodes récentes en Irak et en Turquie où la langue, la culture et la musique kurdes ont été interdites.

 

Kendal Nezan (né en 1949) présente ce disque comme un panorama de la diversité de la musique kurde de Turquie, de Syrie, d'Irak et d'Arménie (sans la musique des Kurdes iraniens). Cependant, peu d'informations sont fournies sur les lieux où ces enregistrements ont été réalisés.

 

Cette anthologie essentielle présente la riche tradition musicale kurde, avec des voix, les flûtes de berger blur (A3, B3), des duduks à anches doubles (A1, A2, A4, A6, A7, B1, B2, B5, B8), un hautbois zirne (zurna) à anches doubles (B7) et des luths tenbur à manche court (A5, A8, B5, B6). Ces musiques poétiques, qui accompagnent parfois des danses régionales, abordent des thèmes variés tels que l'amour, la mélancolie, la douleur de la séparation, l'exil, les contes et les légendes.



A1 – Gulè Mahrume (Poor Gule)

Egitê Cimo (duduk) and unknown second duduk player.

 

A2 – Ehmedo Roni (Ehmedo – My Light)

Female vocals and duduk.

 

A3 – Xece U Siyamend (love song)

Şamilê Beko (blur flute).

 

A4 – Miho (love song)

Fatima Isa (vocals) and duduk.

 

A5 – Le Gulè (O Rose) dance

Ezeddin Temo (vocals and tenbur).

 

A6 – Bedewè (Splendid woman)

Şeroyê Biro (vocals) and duduk.

 

A7 – Qeydé Neriya (Song of the goats)

Egitê Cimo (duduk) and unknown second duduk player.

 

A8 – Sisile (Epic song)

Aramê Tigran (tenbur) and Memoyê Silo (vocals).

 

B1 – Naziye (dance) 

Old song from the Tigris plain;

XelÎîlê Evdile (duduk).

 

B2 – Ciya Bilind In (The mountains are high)

Şewabê Esed (vocals) and duduk.

 

B3 – Blur Solo

Şamilê Beko (blur flute).

 

B4 – Berivane (The milkmaid of the sheep)

Efoyê Esed (vocals).

 

B5 – Bave Seyro

XelÎîlê Evdile (duduk) and Aramê Tigran (tenbur).

 

B6 – Were Teli (Come O Teli)

Song from the Kurdish-speaking Yezidis;

Aramê Tigran (tenbur) and Memoyê Silo (vocals).

 

B7 – Gava Zeryam Nisan Kirin (When we celebrated my engagement with my blonde)

Song popular with Armenian Kurds;

CecÎîl Û Samko (zurna and daf).

 

B8 – Xezalé (O My Gazelle)

Mizare Egit (vocals) Egitê Cimo (duduk).


 
Download:

Our other Kurdish music post:
Musique Populaire du Kurdistan - Chants d'Amour - Disques Alvarès 812 here


#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic



#Kurd #Kurdish #kurde #Turkey #Syria #Iraq #Iran #Armenia #blur flute #duduk #zurna #tenbur lute #traditional music #world music #love songs #Unesco #Kendal Nezan #Bärenteiter-Musicaphon #folk #vinyl #MusicRepublic


The popular Kurdish singer Ayşe Şan (1938-1996) from Türkiye singing 

Yüzüğun Taşı Elmas (The Stone of the Ring is Diamond):



Please help me purchase important traditional records 

to pursue my global curation project and share the 

best finds with you on this blog: