Wednesday, February 5, 2020

INDIA M. S. Subbulakshmi – Meera Bhajans – HMV – EALP 1297

INDIA – INDE
M. S. Subbulakshmi – Meera Bhajans – His Master's Voice – EALP 1297, released 1965 (LP)
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#India #Inde #Carnatic #M. S. Subbulakshmi #Indian music #traditional music #violin #mridangam #bhajan #Meera #devotional # Semmangudi Srinivasa Iyer #Tamil #tamoul #Subramanian #vinyl #musique indienne #musique traditionnelle
#India #Inde #Carnatic #M. S. Subbulakshmi #Indian music #traditional music #violin #mridangam #bhajan #Meera #devotional # Semmangudi Srinivasa Iyer #Tamil #tamoul #Subramanian #vinyl #musique indienne #musique traditionnelle
#India #Inde #Carnatic #M. S. Subbulakshmi #Indian music #traditional music #violin #mridangam #bhajan #Meera #devotional # Semmangudi Srinivasa Iyer #Tamil #tamoul #Subramanian #vinyl #musique indienne #musique traditionnelle

M. S. Subbulakshmi (1916–2004) was one of the greatest Carnatic singers of the 20th century. Born into a musical family in Madurai, Tamil Nadu, she embraced singing at an early age and honed her skill under the tutelage of her guru Semmangudi Srinivasa Iyer (1908-2003).

Her powerful, expressive voice and technical mastery earned her strong praise early on. Subbulakshmi also played and sang in several Tamil-language films, notably Meera (1945), where she plays the title role of the legendary 16th-century mystic, poetess and Krishna devotee. She was launched onto the national stage in 1947 when the film was remade in Hindi.

In addition to singing in various Indian regional languages, Subbulakshmi expanded her musical horizons and creative palette by mastering the North Indian idiom with other musical luminaries, including vocalists Narayanrao Vyas (1902–1984) and Siddheswari Devi (1908-1977). Ravi Shankar (1920-2012) once said, “She built that bridge across like no other south Indian musician did. Though many of us didn’t understand the nuances of the languages she sang in, it would be impossible to say that we were not swept off our feet by her voice and devotion."

The boundary-breaking artist also became a global ambassador for India by performing abroad, including at the United Nations General Assembly in 1966. Subbulakshmi was instrumental in the introduction of Carnatic music to non-Indian audiences.

This set of ten Meera Bhajans in Hindi showcases the mesmerizing fluency and pitch-perfect poetic phrasing of Subblulakshmi’s deep golden voice, suffused with sensuous and soulful devotion.

She is accompanied here by V. V. Subramanian on violin and T. K. Murthy (b. 1924) on mridangam.

M. S. Subbulakshmi (1916-2004) fut l'une des plus grandes chanteuses Carnatic du XXe siècle. Née dans une famille de musiciens à Madurai, au Tamil Nadu, elle se dévoue au chant dés son plus jeune âge et perfectionne son art auprès de son gourou Semmangudi Srinivasa Iyer (1908-2003).

Sa voix magnifique, ainsi que sa parfaite maîtrise technique lui valent des éloges dithyrambiques dès ses débuts. Subbulakshmi joue et chante également dans plusieurs films en langue tamoule, notamment Meera (1945), où elle tient le rôle principal de la légendaire poétesse-mystique adoratrice de Krishna du XVIe siècle. Lorsque le film est refait en hindi en 1947, Subbulakshmi se retrouve catapultée sur la scène nationale.

En plus de chanter dans plusieurs langues régionales indiennes, Subbulakshmi élargit ses horizons musicaux et sa palette créative en étudiant les subtilités de la musique hindustani en compagnie des grands musiciens tels Narayanrao Vyas (1902-1984) ou Siddheswari Devi (1908-1977). Ravi Shankar (1920-2012) dit un jour à son propos : « Elle a créé des passerelles comme aucun autre musicien d'Inde du sud ne l’a fait. Même si beaucoup d’entre nous ne saisissions pas toutes les nuances des langues dans
lesquelles elle chantait, nous étions tous éblouis par sa voix et sa dévotion. »

L'artiste qui s’évertua à transcender les frontières devient également une véritable ambassadrice de l'Inde en se produisant à l'étranger, notamment à l'Assemblée générale des Nations Unies en 1966. Subbulakshmi joua par ailleurs un rôle déterminant dans l'introduction de la musique Carnatic auprès d'un public non-indien.

Cet ensemble de dix Meera Bhajans en hindi présente la fluidité envoûtante et le phrasé poétique d’un justesse parfaite de la voix en or de Subblulakshmi, empreinte de dévotion expressive et 
sensuelle.

Elle est accompagnée ici par V. V. Subramanian au violon et par T. K. Murthy (né en 1924) au mridangam.
 
  

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Our other Carnatic vocal music shares:
M. D. Ramanathan (vocalist) – HMV 7 EPE 1646 here
The Great Tradition (compilation) – Masters of Music – HMV EALP 1452 here


Photograph of M. S. Subbulakshmi below is from Inde - Hommes, Rites et Dieux by Indira Gandhi and Jean-Louis Nou, Vilo, 1978:

MusicRepublic INDIA – INDE M. S. Subbulakshmi – Meera Bhajans – HMV EALP 1297

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6 comments:

  1. Congratulations: upload number 150 already! Huge thanks for all these hours of wonderfully curated, amazing music!

    ReplyDelete
    Replies
    1. Thank you my friend. It's been a fun and exciting ride, but there's still much work to be done in the (mostly) uncharted territory of our fascinating traditional musical heritage.

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    2. And luckily so! Would it not be very sad if all the work was done and no discoveries left?! :)
      Thanks and best wishes.

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  2. I'm looking for following recording:
    The Sanctity of Parampara (Cass, Album) Rhythm House 240367 1987

    ReplyDelete
    Replies
    1. I'm afraid I don't know Manik Bhide's music. Perhaps you should include this album on your Wantlist on Discogs, for example, and it will eventually be available one day. Good luck.

      Delete